![]() ![]() Although the bass line is written on the continuo staff, it is almost always performed on the viola da gamba. ![]() Here is a full score of a movement from Bach’s BWV 106. Using Hide with other staff management tools can be useful show an instrument at the beginning of a flow, despite the fact that we don’t want to see the music for that instrument on the first system. …containing the proper playback while the playback of the published violin part is suppressed: Since the hidden staves still play back, one could create a score of a Biber Rosary Sonata, complete with scordatura and custom key signatures, but with an extra staff that is hidden… There are a variety of scenarios where this is useful. Any staff can be hidden at any time - even if it contains music. I mentioned Hide briefly, but this choice deserves some extra explanations. Notice that there are some selection shortcuts at the bottom of the Manual Staff Visibility screen which can help accelerate the process by clearing, resetting, showing or hiding all the staves at once. Choosing Hide instead will keep the staves hidden until the end of the flow, whether there is music on them or not. Note that Reset will make those staves behave according to the Staff Visibility options chosen in in Layout Options. Therefore, I can create another staff visibility system break at the start of the next page, choose the same staves, but set their status to Reset. As the remainder of the score looks quite balanced, I will not need those staves to remain visible when empty, and so I need this to be a temporary override instead. The visibility status of those two staves is now set until the end of the flow. …which removes some of the extra white space. By selecting them with the switch and setting them to Show, I will now get the following result… In my case, I will select condensed oboes, condensed trumpets and timpani, which are just about to play on the next page. Notice that in the case of this condensed score, you can also choose individual instruments as well as their condensed pairings. ![]() The menu that then appears could not be clearer:Īny switch will activate an instrument to be either hidden, shown or reset. ![]() Alternatively, as in this case, insert a system break in Engrave mode and double-click on it, or select it and press Return. I can select the first note on any instrument on that page and use the command Edit > Staff > Staff Visibility to create a system break which I can then double-click to access a menu. Let’s take a look at a score where the right page is quite a bit greyer than the following pages because of the paucity of staves containing music. Sometimes, inserting a system break and adjusting the staff size for a single page can be an excellent way of dealing with this, but making a few empty staves that are about to appear with music on the following system is also a good way to deal with this issue. However, there may be instances where a page will show too much white space as a result. 521-522.) This is achieved in Dorico by setting the Staff Visibility option to Hide Empty Staves After First System in the Vertical Justification section of the selected layout. In an orchestral score, especially for large orchestra, it is customary to hide empty staves throughout the score, except for the first page where a display of the full instrumentation at a glance is de rigueur. Those global rules are still there, but are now called Staff Visibility, and Dorico has also added a tool in Edit > Staff called Manual Staff Visibility which allows the user to easily hide or show staves throughout a score. Dorico already had global rules concerning staff visibility for empty staves which resided in Layout Options under the section Hide Empty Staves. Condensing is one way to change the visibility of staves on a system. ![]()
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